The goal of the conference is to promote the interest in the current digital/media culture and its intersection with art and technology as an important research field while focusing on the study of the digital media / computer artefacts embracing category covering their conceptualization, design, creative /art practice/research processes, computational implementation, exhibition and fruition as well their role on today's information and knowledge society. Also welcomed are article fostering the establishment of the conceptual foundations of an artefact theory in the digital media world.
ARTeFACTo 2018 aims at giving greater visibility to artefact creators or interveners, being these theorists or practitioners, establishing a common space for discussion and exchange of new happenings, while experiencing better understanding about digital arts and culture across a wide spectrum of Cultural, disciplinary, and professional practices. To this end, we cordially invite scholars, teachers, researchers, artists, computer professionals, and others who are working within the broadly defined areas of digital arts, culture and education with specific focus on artefacts / installations To join us.
International Scientific and Art Committee:
Ângela Saldanha, President, Aberta University, Portugal (PT)
Anton Denikin, Vice-president, Russian State University for the Humanities, Russia (RU)
Carlos Sena Caires, Vice-president, University of Saint Joseph, Macau (CN)
Artech Steering Committee:
Adérito Marcos, DCeT-UAberta (PT)
Álvaro Barbosa, Univ. Saint Joseph, Macau (CN)
Christa Sommerer, KU Linz (AT)
Henrique Silva, Bienal de Cerveira (PT)
Lola Dopico, FBA-UVigo (ES)
Nuno Correia, DIFCT-UNL (PT)
Seamus Ross, Univ. Toronto (CA)
Local Organization:
Pedro Alves da Veiga, Chairman, Open University / Artech-International, Portugal (PT)
Teresa Oliveira, CIAC-UAb, Aberta University, Portugal (PT)
Contact: secretariat: artefacto2018lisbon (at) gmail.com
Digital (Transmedia) Storytelling
WebArt and Digital Culture
Digital Sound and Music
(Mobile) Augmented and Immersive Art
Digital Dance and Body Poetics
Digital Serious Games
e-Learning in Art and Media Studies
Information and Data Visualization
VideoArt and VideoMapping
BioArt, NanoArt and xArt
Cultures (Tangible) Interfaces Gesture Interfaces
Spiritual and Sacred Artefacts
Transdisciplinary Pragmatic Performance
Generative and Algorithmic Art and Design
Digital Media, Apps and eBooks
Art and Technology
Art and Science Theory
Creativity Theory
Media Art History
Technology in Art Education
This is a blind peer-reviewed conference. Authors are invited to submit their papers in Portuguese (with an English version of both title and abstract) by the 3rd of September, 2018. Submissions must be original and should not have been published previously.
Nov 16
2018
Nov 17
2018
Draft paper submission deadline
Draft Paper Acceptance Notification
Registration deadline
Submit Comment